Things have moved on since Atmosphere's heyday, and while Paul White's assessment of its 3.7GB sample database as "vast" was a fair comment at the time, Omnisphere's 42GB core library rather puts it in the shade. Though all three have helped many a record into the charts, the sample–based Atmosphere synth seems to have made the biggest impression (possibly because prior to its release such lush, layered pads were the exclusive preserve of owners of several expensive keyboards and a posh reverb unit).Īfter five years topping the pops, Atmosphere has finally been discontinued and replaced by a far more ambitious instrument. The quest to combine the unpredictable with the highly functional culminated in the first quarter of 2003 with the popular trio of virtual instruments Stylus, Trilogy and Atmosphere. Persing's imaginative streak was always harnessed to musical practicality, as evidenced by the huge collection of instantly usable, bang–on–the–money grooves found in Metamorphosis, Retrofunk and Backbeat. The founder of Spectrasonics has always created products which defy expectations, whether they be the eclectic world–music excursions of Supreme Beats and Heart Of Asia, the Distorted Reality series or the hip, funky swirling beats on Liquid Grooves and Ethno Techno. Wouldn't it be nice to live in a universe where the unexpected always happened? A place where water flowed uphill, money grew on trees, fish wrote poetry and fireflies directed the traffic? An alternative reality in which football managers made surprising statements like, 'for the game with Surreal Madrid we'll be playing with 10 goalkeepers and a lone daffodil up front'? A brave new world where politicians kept their promises, drummers kept perfect time, rock guitarists played at reasonable volume and TV talent show judges talked sense?Įric Persing lives in this universe. Spectrasonics' ambitious new sample–based power synth explores the realms of psychoacoustics and organic synthesis while running on a Steam engine - what can this all mean? Let's find out.
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